Showing posts with label London. Show all posts
Showing posts with label London. Show all posts

Wednesday, 10 August 2011

LONDON RIOTS: THE RISE OF THE DISAFFECTED AND JUST PLAIN BAD

This blog is not an analysis of the British riots. It is a brief take on my own experience of living 35 years in a mixed society in South London.

In 1983, I moved from leafy Putney to Lambeth Borough to be nearer the West End. None of my friends lived there, however I was happy. My flat was across the Thames from the Tate Gallery, only three tube stops to Green Park, and I loved the river walk to the London Eye. But by the 1990s, I noticed a change.

Aggression was common. Searching for a hairdresser one day, I entered a shop to enquire the cost of a blow-dry. “Stick with your own kind,” said its black receptionist.

Spitting had increased. But while TB was up 40%, no one thought to educate refugees that the habit is potentially deadly. This not withstanding, the refugees -mainly Somali - were likeable people and a traveller to the Horn of Africa, I would often stop for a friendly chat with them.

By now I was noticing the increasing number of children of ethnic Caribbean origin. I learned that Jamaicans who father many kids are considered virile. They’re called “Baby Farmers” I was informed of someone who knew of a man who had sired thirteen children by seven different women.

I began to clock the youths who gathered outside the tube around five. They wore lots of bling and drove big BMWs, but pushing drugs was the only opportunity for such tragic kids, products of casual sex, often without a birth certificate, and with no educational qualifications.

Blame for current disorder is attributed to government cutbacks on public services, but the benefits system has been milked for years. In the Post Office, I was alone in buying stamps. One day a man in the queue boasted he sent his £300 allowance “right back to de folks in Kingston.”

By 2000 the rise of gang culture was evident. Carried by many, knives were used with impunity. Coming home at 4.30 one afternoon, a neighbour had her face slashed for her mobile phone.

Burly, unmuzzled dogs wearing spiked collars then became the gang weapon of choice. Half a dozen hoodies, parading such animals saw pedestrians scatter. En route to the dentist one morning, I inadvertently stepped in front of a big black man who picked me up by the elbows and lifted me out of his way.

The owners of small businesses along the high street - the Eritrean in the deli, Algerians in the Pound Store, Afghans in the hardware, Pakistanis repairing computers, expressed concern at the growing belligerence. We agreed the root problem was a hole where family life should offer support. But with no father and a rejection of rules for decent behavior laid down by a struggling single mother, many black youths had morphed into ferals existing outside normal community life.

By 2010-11, anger and resentment was simmering, a potent ingredient in the quickening decline being white " low life" telling their kids to “shut up ” and to "fuck off". “Fuck off” said a six year year old boy I saw stealing sweets in Sainsburys. On another occasion, I came upon two teens riding bicycles around the toiletries counter. Yes. Inside the supermarket!

Away at work, the professional minority where I lived missed such goings-on. Or if they knew, their lips were sealed in fear of being called a racist. But the Indians who owned the newsagent knew. They moved to America. The Cockney fishmonger sold up --- ‘ad enough -- he told me - and astonishingly, a mini-cab driver said he was returning to Nigeria (it was safer in Lagos!).

Finally I too decided to withdraw before the in-balance erupted into urban violence and it is with a special sadness I have watched this happen from far away Australia.

Thank you.

Friday, 22 October 2010

AFFORDABLE ART FAIR WITH THAT HAPPY FACTOR










What a pleasure to wander through the Affordable Art Fair in Battersea Park after visiting the execrable displays competing for the Turner Prize, earlier in the week. Currently showing until 24th October, the AAF covers what most people define as ‘real art’ - painting, sculpting, print-making and photography.

More than 100 galleries are gathered together under one roof where you can stroll in a simple, well-lit and relaxed environment. Absent is the snobbishness often pervading West End galleries. Here you can chat to the artist about his or her work. There are also hands-on workshops covering everything from print-making, drawing and sculpture to abstract painting.

At previous fairs, I've felt that abstract painting was not well represented so it is good to see it catching up to the ‘farmyard art’ so popular with many British artists. There are still plenty of horses, cows and colourful gardens, but the ratio is now roughly 50-50 with many highly original displays to ponder over.

It is probably invidious to select anything from the level playing field, but I especially liked Trevor Price’s flesh-toned octopus-like couples, Susan Foord’s luminous abstracts and the innovative collages combining nature and antique curiosities called 'Still Remains' exhibited by the Columbia Road Gallery on Stand K8.

The Affordable Art Fair leaves you with that ‘feel good’ factor. And who knows you may even find that statement piece for your flat. Works are priced between £50 and £3000, the exhibition is open from 11am-6pm. Ticket prices from £10-20, children under 16 are free.

AAFs are also held in Amsterdam, New York, Brussels, Sydney and Melbourne with a Singapore launch in November and Milan in February 2011.

www.trevorprice.co.uk
www.affordableartfair.com















Thursday, 23 September 2010

MIGRANTS ARE THE SPICE OF LIFE
















The term ‘Third World’ is used far too often by people who should know better ---I heard it again this morning in a BBC discussion concerning India and the Commonwealth Games.

Not only does it hark of imperialism, it insults citizens of developing, or non-industrialised nations. As an African woman put it to me - if we are Third World, what are you- First World? And if you are First, who is Second World. And so on.

The label is archaic as well as arrogant considering that goods produced in many developing countries cost a third less than the equivalent made in the West. And are often twice as good.

On a personal level, I am reminded of a dinner I once attended when a woman guest said - “Golly your shirt is beautifully laundered - where did you get it done?

‘In Karachi,’ I said. And on another occasion, complimented on my new linen trousers, I was able to say they were made for $12 by a tailor in --- Cochin.

I live in South London, which probably counts the biggest multi-cultural community of anywhere in Britain.

I shop at an Eritrean grocer, a Chinese fruit merchant, an Algerian bakery and buy my spices from a store owned by a jolly Nigerian woman. The internet cafes are run by Somalis, the post office by Indians and the off-licence by Pakistanis. Our restaurants are: Ethiopian, Ghanaian and Jamaican. The mini-cab drivers come from Afghanistan.

No prizes for guessing who greets me in the street. Or offers me an olive, or a bit of halwa. Or surrenders his seat on the bus. Right. But the English are still around: you can hear them telling their children to 'shut-up' in our local Sainsbury's.

’Charming’ I muttered to a young woman who retaliated by calling me a ‘stupid old bat.’

By contrast, in India and other developing nations, I am referred to as ‘Auntie’. A gentle and respectful term for one of a certain age and what is (falsely) perceived as a degree of sophistication.

The migrants and refugees who make up the patchwork quilt that is modern Britain have brought courtesy, colour and vibrancy with them. We can enjoy their music, join in their festivals and experience a wealth of different foods as I do in Vauxhall.

In fact it is impossible to imagine life without them.

Images: www.copix.co.uk

Jamaican bananas in Brixton Market, South London.
Divali dancers in Trafalgar square, Central London.
Festival in Bangla Town, East London.



Thursday, 11 March 2010

AFFORDABLE ART FAIR HAS SOMETHING FOR ALL TASTES AND POCKETS













The crocuses are up: it`s time for the Affordable Art Fair in Battersea Park!

I attend the fair every year and rate it as one of the most enjoyable occasions in the London Art Calendar. So do other art lovers: a record 25,000 people visited the show on its 10th anniversary in 2009.

The AAF which is now international (Amsterdam, Paris, Brussels, Milan, New York, Singapore, Hong Kong, Sydney and Melbourne) is the creation of Will Ramsay whose aim was to remove the formality out of buying art.

Ever felt inhibited about going into a gallery off the street? The receptionist is sitting at a desk ignoring you. Or pestering you about what she/he likes and not what caught your eye in the first place? Or left alone, have you latched onto a painting, only to find it way above your price range?

Well yes. It happens to a lot of us which is why the AAF is so popular. There`s no pressure to buy and with prices starting at £50 and a ceiling of £3,000, it`s affordable to to all. And many artists themselves are there to discuss their work.

This year there are 120 stands displaying everything from fine art and contemporary painting, to sculpture in almost every medium you can think of and yes, photographs - woo-hoo!

Of course collecting art is a very personal experience, but I particularly liked the prints based on Iraqi folk-tales by South African-born Susan Moxley. The fine abstracts encapsulating emotion and thought, by young Worcestershire artist Kelly Washbourne also stood out among the thousands of colourful works.

Affordable Art Fair runs from 11th -14 March.
Photo: Rising young artist KellyWashbourne
Photo: Susan Moxley with her prints
Source: www.copix.co.uk

Friday, 5 February 2010

MY DEAR OLD TOYOTA


I owned a Toyota Celica coupe for 15 years during which time, it never caused a problem, but unfair UK government charges on a GT - even though it passed the emissions test – saw me decide to call it a day.

I contacted a salvage company which offered £70 to remove and crush it for scrap, but deciding on a last attempt at selling it, I placed an advert in Classic Car magazine. Then I went off to Marrakesh and forgot about it.

On my return to London, there was an anxious message on my answer phone. An Indian man was desperate to buy it to participate in a `Top Gear` motor challenge. The criteria: that it shouldn`t cost more than £500, and that it had a valid MOT and tax disc.

That evening, he came round and bought it on sight. We performed a Hindu ceremony when I held a `sacred coconut` under a wheel and he drove over it, crushing it, to bring good luck.

With only 77,000 miles on the clock, apart from a trip to France, for many years the old Celica had only been driven to the supermarket (¼ mile) for a weekly shop.

Now, to prove old cars still have life, it had to survive being driven from John O`Groats (in the north of Scotland) to Lands End (the most southern tip of England), a distance of 874 miles, with other old competitors, including a Porsche.

It was not a race, but an endurance test, and although my dear old car coughed and spluttered, it was declared the eventual winner, raising £8000 for charity in the process.

But this was not the end. So close to being crushed, it was auctioned after the trip, and bought by a woman who declared she loved the model, and would restore it as a classic car.

It`s a nice story amid Toyota`s current woes. My desk overlooks the street where it used to be parked. At times I believe I can see it.

c.Christine Osborne
Images: Crushing the coconut to bring good luck.
Image source: www.copix.co.uk

Tuesday, 24 November 2009

MAHARAJA EXHIBITION EXPLORES A GLITTERING LIFESTYLE




Maharaja - The Splendour of India`s Royal Courts - at the V&A Museum in London, is one of the most exciting exhibitions ever mounted in UK. The word `maharaja` literally Great King, sums up the magnificence of the display which runs until 17th January 2010.

Covering the period from the collapse of the Mughal Empire in 18th century to the end of British rule in 1947, the exhibition examines the changing role of the maharajas in an historic and social context, and looks at how their patronage of the arts resulted in splendid commissions, designed to enhance their status.

Among priceless items are three thrones, a silver gilt howdah, gem-encrusted weapons, court paintings, turban jewellery and textiles from collections in the former princely states of Udaipur, Jodhpur, Bikaner, Gwalior, Baroda, Mysore, Patiala, Bahawalpur and others.

The Queen has also loaned dazzling gifts such as the gold sword and scabbard encrusted with emeralds and diamonds, presented to the Prince of Wales by the Maharaja of Kashmir, in 1864. A gold durbar set, for offering paan, a gift from the state of Mysore in 1875, is also on loan courtesy of Her Majesty.

The exhibition unfolds with a simulated royal procession of a life-size elephant adorned with jewellery and surmounted with a silver howdah. An early movie, whose soundtrack features drumming and the screams of the processing elephants, indicates the pomp and ceremony of such an event.

The initial displays explore the role of the maharaja as military and political ruler and artistic patron. Symbols of kingship include a gaddi (throne) from Udaipur, elaborate turban jewels, ceremonial swords and a gold ankus (elephant goad) set with diamonds.

There is a palanquin from the court of Jodhpur used to carry the Maharaja’s wife and women`s dumbells, inlaid with ivory, indicate the activities of the zenana. A chaupar set with enamel dice, inlaid with diamonds and played on a cloth sewn with emeralds, rubies and pearls, is evidence of how leisure hours were spent.

Other dazzling items are the golden throne of Ranjit Singh,`The Lion of Punjab` crowned Maharaja in 1801, and his belt, studded with pearls, diamonds and emeralds the size of Ferrer Rocher chocolates.

The exhibition ultimately looks at the period of the Raj, explored through large-scale paintings such as the Imperial Assemblage - 7.2 metres in length - and rare archival film footage of the royal durbars, including the Coronation Durbar of 1911, attended by George V and Queen Mary.

The final section, explores European influence on the Maharajas where the bejewelled elephant, carrying a dancing girl on its tusks, is usurped by a Rolls Royce Phantom commissioned in 1927 by the flamboyant Maharana Bhopal Singh of Mewar.

www.vam.ac.uk/maharaja

Sunday, 9 August 2009

TOURISTS RULE!










Last week I went to the British Museum to have some coins from the lovely Swat Valley, in north-west Pakistan, identified by numismatic experts।

I knew they were old, but not from the 4th century AD! Coins from the Kushan Empire: King Vasishka in front of a fire altar on one side and Shiva with Nandi, the bull-god on the reverse.

I was delighted by this news, but walking through the museum, I was appalled by visitor behaviour. Thousands of tourists hogged every showcase, blocking the view for everyone else, including many British pensioners on a cultural outing.

I waited for an American family to provide space for me to view artefacts from the royal tombs in Ur. But would they budge? Not likely! The woman planted herself in front and there she remained. When she did move, she glared as if to say, it`s my right. I`m here from Des Moines!

The behaviour was equally bad in the Etruscan Room and the crowd gathered around the Elgin Marbles was impenetrable. A tour-guide was lecturing her group of Italian tourists - bugger everyone else!

It was the same in the Egyptian Galleries. And to make things worse, everyone was wearing a backpack so they were taking up the space of two!

Does anyone hate backpacks as much as I do?

There is no admission charge to the British Museum. The Coins Department is open weekdays for a coin identification service 10.00-13.00 and 14.15-16.00 except Wednesday mornings.

c.Christine Osborne
Images: www.copix.co.uk

Friday, 24 July 2009

SIMPLY LIVING


24th July 2009
Dear Self,
I`m going to jump off Lambeth Bridge!
Today I went to FEDEX to send a package to India. They don`t have my account number! Type in my name, I tell them. Are you typing Osborne, with an O? Yes, I know most people spell it with a U. But mine is O. As in John Osborne. No, we are not related. Nothing? No record of me? But I come every week! Please call your credit control.
But you must know me! Yesterday I received your invoice for £46 for a shipment to Delhi. Waddaya mean you have no record of it? How can Credit Control say this to a regular customer? Of course I can`t produce an invoice! I`m not in my office! How can you say I don`t exist? If you`re Credit Control, you have to know me, as you send me invoices! Speak to your superior. You have? Well, they`re crazy too.
Look, I`m not angry with you, but you`re driving me mad. How can you send invoices to someone you`ve never heard of ? It doesn`t make sense. Hello! Are you still there. You`re listening? Look, I`m hanging up. I can`t stand any more. Byyyyyeeeee!
Now driving very fast over Lambeth Bridge for my hair appointment. However Phillip, the manager, says I`m not in the book. But I made the appointment at 9 a.m! I twice repeated `cut and blowdry` to make myself clear. What? If you do me you`ll keep the next client waiting. And she`s in a wheelchair? I don`t believe it! Yesterday you were too busy to cut my hair and today I`m going to keep a wheelchair waiting. I`m not going to sleep after this!
4.10pm: Sainsburys: waddaya mean my debit card isn`t accepted? Are you sure? What? Not valid? How is it possible? I only received it this week when I cut up my old one because it said I could use the new card from the date thereon.
What? Not valid until 11/10. Oh my God, I`m so sorry. It`s my fault. Please tell the cashier I wasn`t trying to cheat her. No, I really wasn`t! Honestly, I do apologise for keeping you all waiting. Yes, really sorry! No, I have no cash at all. That`s my dinner you`re taking back - one Angus sirloin steak and a curly leaf lettuce. Look here`s a Visacard, please take the £5.92 off this. No, I don`t want my reward! I just want to get out of the supermarket.
As you can see, I haven`t jumped. Typing this as a sort of exorcism..
kind regards

Friday, 17 July 2009

BUYING FLOWERS



I have bought flowers from the same stall in a south London street market for more than ten years.

A typical exchange took place today with the expressionless blonde who stands beside her plants like the moron waiting outside Superdrug.

In all this time I've been buying flowers from her, she has never raised a smile.

'Good morning? Nice day?' Forget it!

Today she has an attractive bunch of violet and orange flowers, but I don't know what they are.

'I'd like a bunch of those flowers please. What are they called?' I said, pointing to the bunches in her black plastic bucket.

'No idea.'

'I'll have a bunch of no idea then.' I said.

But I'd got to her this time, I decided, as a blush beginning low down her neck spread up beyond her ears.

c.Christine Osborne
Image: Bird of Paradise flower
Source: www.copix.co.uk

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